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Old-Time Fiddle for the Complete Ignoramus!, by Wayne Erbsen
Download PDF Old-Time Fiddle for the Complete Ignoramus!, by Wayne Erbsen
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Wayne Erbsen's 35 years of teaching experience shows on every page. He takes the reader through every step of adjusting, tuning, holding, and playing the fiddle. 37 tunes are written out in Wayne's easy-to-use tab system and standard notation. Fiddle instruction has never been any simpler, clearer, or more humorous. This book will teach absolutely anyone to play the fiddle. A link to download the digital version of our instructional CD is included!
You WILL learn to play: Amazing Grace, Blackest Crow, Buffalo Gals, Charley He s a Good Old Man, Cluck Old Hen, Cotton-Eyed Joe, Cripple Creek, Cumberland Mountain Deer Chase, Darling Corey, Don t Let Your Deal Go Down, East Virginia, Groundhog, House of the Rising Sun, Ida Red, In the Pines, It Ain t Gonna Grain no Mo , Joy to the World, Little Birdie, Liza Poor Gal, Lynchburg Town, Muley s Daughter, Old Joe Clark, Old Molly Hare, Polly Put the Kettle On, Rain and Snow, Red River Valley, Run Johnny Run, Rye Whiskey, Sail Away Ladies, Say Darling Say, Shortening Bread, Sugar Hill, Wagoner s Lad, Wildwood Flower, Willie Moore.
- Sales Rank: #85352 in eBooks
- Published on: 2014-12-23
- Released on: 2014-12-23
- Format: Kindle eBook
About the Author
Wayne Erbsen has been fiddling around since 1970, when he bought a $25 fiddle for ten bucks. He has played and recorded with the Black Mountain Bluegrass Boys from West Virginia and Smoketown Strut from Belgium. Wayne has won 1st place fiddle at several fiddlers conventions: Chilhowee, Virginia; Grayson County, Virginia; Mount Airy, North Carolina; and Fiddlers Grove, North Carolina. He has written twenty-five books and has recorded eighteen solo CDs. Wayne takes great pride in having taught thousands of people to play the fiddle, banjo, and mandolin. He lives with his wife, Barbara, in Asheville, North Carolina.
Most helpful customer reviews
82 of 82 people found the following review helpful.
What a Hoot!
By GeekySpinster
After taking violin lessons for 3 months I came across this book. I with I had started with this instead of Strings 2000. The writing is very humorous and all the basics are covered - D, D Dorian, A, A Minor, C, G... Tunes are simple but the author encourages improvisation and tell you how to do that! I showed this book to my violin teacher, who is predominantly classical and jazz, and she promptly bought a copy. This book makes learning the fiddle fun!
55 of 56 people found the following review helpful.
The best I've come across
By Michael L. Landau
If you just beginning to play Old Time Fiddle, then Wayne Erbsen's "Old Time Fiddle for the Complete Ignoramus" is the best instructional material you can get. After sampling the instructional materials out there, I feel it is THE BEST book and CD to start with. Instead of other books that just throw songs at you, Wayne TEACHES you, step by step, taking care to present the simple things first and in the right order. The book is written with humour and an understanding of what the novice fiddler's problems will be. That insight is the mark of a good teacher. The CD is simply beautiful with the songs played up to speed and slowly as well; the playing on the CD is inspirational; if these demonstrations don't motivate you to play the fiddle, then you've taken up the wrong instrument! One of the best features of the book is the way the tablature is written. Instead of just using "numbers" (signifying fingers) the way other books do, Wayne has you reading NOTES in no time, which is going to be alot more valuable in the long run when confronting standard notation in other situations. In conclusion, I'm very glad I started with Wayne Erbsen's book; he promises that you "will" be fiddling in a very short time and he keeps that promise!
52 of 54 people found the following review helpful.
Terrific, funny & extremely informative
By Mysterious Microburst
Even those of us who have played strings (Viola, Violin) for years can derive a great deal of useful information from this book & CD.
I was trained as a classical musician. Chords are not often relied upon in classical composition. When they are, they're not often the sort you'll find yourself playing at a hoe-down. It helped a bit when I picked up a mandolin and struggled with it and then guitar in later years. It is amazing how *wrong* it felt (to me) to work with a fretted neck after decades of non-fretful years moving smoothly up, down and across strings. I did, however, learn a few dozen chords ~ which sounded like hell on a violin. Although I'd long ago made the transition from classical music to blues, rock, jazz and fusion, my playing was very much like that of a Lead Guitarist's: notes played on one string at a time most of the time. After all, this is what I'd been trained to do: play with precision and clarity. Even when chords were used within a composition, they were very different than the "fiddler's form."
Had I not stumbled upon and purchased this book/CD, it's likely that all the most important "little" discoveries, such as the differences between a standard violin bridge and a fiddle bridge making a WORLD of difference, might have remained an unsolved mystery for me.
Thus, the value of this book is much more than learning a basic set of chords or tunes to play. You are informed about everything that makes fiddling different from playing a violin. What's more, while you can buy custom bridges made for fiddles, this book/CD informs you of ways to solve the bridge problem quickly and very inexpensively. It may seem a bit hilarious that an educated musician who'd spent time playing mandolin and guitar didn't pay any attention whatsoever to an obvious difference: the bridge of these instruments being flat, rather than curved. If you're not accustomed to restringing your own instrument and cannot afford to have both a dedicated fiddle and orchestral violin (which I am not), this book can save you a lot of heartache and expense when you swap between bridges and/or strings.
This and other seemingly small mysteries that were huge obstacles are succinctly explained by the Author. There are numerous money-saving tips for the musician on a budget. It is an amusing book that does not condescend. If you already know the basics about Fiddles and Fiddling, perhaps this book will be too basic for you. It annoys me when people purchase a very well-done package and then complain that it is too basic. You had the opportunity to look before buying, just as I did, so why punish the Author for your oversight?
For me, what this Author taught me has made the difference between success and failure. Thus, if you are a classically trained violist and/or violinist, do not assume that your education and experience means you are not a Complete Ignoramus. Classical technique versus Fiddling is akin to the proverbial comparison of apples and oranges: both may be fruit, but they are not at all identical.
There are other books (some with CD or DVD) available: I did a lot of research before deciding upon "Old Time Fiddle for the Complete Ignoramus" and this seemed to me the friendliest, least pretentious and most immediately helpful of the lot. Now, as an Incomplete Ignoramus, I wholeheartedly recommend this Book w/CD to anyone unfamiliar with exactly what makes a Fiddle not a Violin.
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